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Showing 61–66 of 66 resultsSorted by price: high to low
A surreal and witty commentary on the artist’s gaze. This original oil painting features a close-up of an eye where the iris is rendered as a mechanical camera shutter. Titled “Not A Eye,” it is a playful affirmation of human creativity and the hand-painted process in a world of AI-generated imagery.
The artist behind the collection. This 2021 self-portrait is a soulful and direct study of character, captured in a moment of quiet reflection. Utilizing a dramatic, low-light setting, this original oil painting offers a personal glimpse into the artist’s own presence and provides a compelling focal point for the entire “Bantry & Beyond” series.
A luminous and intimate master’s copy of an Anders Zorn nude study. This original oil painting explores the delicate balance of skin tones against a vibrant, patterned background, capturing the warmth and quiet contemplation of the Swedish Master’s original composition. A sophisticated addition to any collection of classical figure studies.
A disciplined and soulful master’s copy of Anders Zorn’s iconic work, “Naket.” This original oil painting serves as a technical study of light, form, and skin tones, capturing the soft luminosity and atmospheric depth that defined the Swedish Master’s style. A sophisticated piece for collectors who appreciate classical training and the art of the human figure.
Bring the breathtaking horizon of West Cork into your home with this stunning three-canvas triptych. Depicting a dramatic sunset over Bantry Bay, this original oil painting captures the fleeting moment when the sky ignites in gold, orange, and deep violet above the silhouette of the rugged coastline.
A soulful and expressive portrait of companionship. This original oil painting features two horses, Elvis and Jumper, standing together in the lush, rolling fields of West Cork. With vibrant greens and a sweeping, cloud-filled sky, this piece captures the quiet bond between these noble animals and the beauty of the Irish countryside.
